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Robert Rauschenberg's Monochromes  

 



White Painting (Three Panels), 1951



White Painting (Seven Panels), 1951



White Painting (Seven Panels), 1951

    





Untitled (Glossy Black Painting), 1951



Untitled, 1953
Übermalung of "Should Love Come First?", 1951






Erased De Kooning drawing, 1953






Untitled (Red), 1953



Gold Painting, 1955






Reef, 1976
    



"To Whom It May Concern: The white paintings came first; my silent piece came later."

John Cage: Preface to "On Robert Rauschenberg, artist, and his work."
In: Silence. Lectures and Writings by John Cage.
Middletown, Connecticut: Wesleyan University Press, 1973, p. 98.


"[...] do we not already have too much to look at? (Generosity.) Left to myself, I would be perfectly contented with black pictures, providing Rauschenberg had painted them.
(I had one, but unfortunately the new room has a slanting ceiling and besides the wall isn't long enough for it. These are problems that have no solution, such as the suit wearing out.)"

John Cage: "On Robert Rauschenberg, artist, and his work."
In: Metro. Milano, 1961. Reprinted in: Silence. Lectures and Writings by John Cage.
Middletown, Connecticut: Wesleyan University Press, 1973, pp. 98-107. [p. 107.]